Architecture in Montreal would mount a massive exhibition about

        the American lawn that would open with Scott’s galvanizing call to arms

         in the civilian battle of the landscape: “A smooth, closely shaven surface of

        green is by far the most essential element of beauty on the grounds of

         a suburban house.”

 

           Scott, an Ohio-born student of famed New York landscape architect

         Andrew Jackson Downing, wasn’t pushing a new idea when he published

        his book in 1870, just pushing it into new places. Grass had been used as

         a design element since the walled gardens of ancient Persia, and turf areas

        were part of a Chinese emperor’s gardens as early as 100 B.C. The idea spread

         into Europe, and by the seventeenth century formal gardens featured large

         stretches of turf, including those at Versailles. Golf began catching

        on in the British Isles about five hundred years ago, and it’s impossible

        to overestimate the importance that sport played not only in the research and

         development of grass as a commodity, but in promoting the pastoral

        ideal through vast stretches of green.

        

           Immigrants brought June grass seeds to the new world, but they

        did so for strictly utilitarian reasons. They’d brought sheep and cat-

         tle as well, and the animals needed pastures to eat. To them, the

        notion of planting grass to prettify the grounds surrounding a house

        would have been no more acceptable than the notion of putting ear-

        rings on their cows. Well into the late nineteenth century Ameri-

        cans considered lawns a luxury of the upper classes, in that having

        one required constant tending by scythe-swinging workers or a

        large flock or herd of ruminants. George Washington, “the father of

        the American lawn,” may have put in a humdinger at Mount Ver-

        non, but then, he had the money and slaves to pull it off.

        

           Frank Scott’s book, The Art of Beautifying Suburban Home Grounds

        of Small Extent, brought the grandiose notion of the lawn to the

        masses at a time when the masses began moving to the suburbs, a

        movement propelled by urban congestion, improved transportation,

        and the back-to-nature sketch fantasies of the nation’s enterprising

        real-estate agents, among other things. To this group. Scott offered

        principles of design that he believed would achieve the greatest

        amount of landscape beauty at minimal cost,” wrote David Schuler, a

         scholar who penned the introduction to an edition of the book reis-

        

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